Content disclaimer

The basic research in "Everybody Say Hallelujah" was conducted in 2000-2002. Some information may have changed since it was gathered. The writings in this study are presented "as is." Things like artist and author biographies, addresses, URLs, etc., are from the time the project was published and may no longer be current or correct. You might also find links to other Web pages that no longer work.

Copyright and reproduction information

"Everybody Say Hallelujah" is ©2002 Community Arts Network. CAN retains all publications rights. You are welcome to print hard copies from the project for your private, personal use. However, we ask that you seek written permission before considering reproducing stories either on paper or electronically for other than private use.

Citation information

To cite material from this project, use:

Burnham, Linda Frye, "Everybody Say Hallelujah," Community Arts Network, http://www.commmunityarts.net; accessed (date you accessed it).

To cite a specific interview published with this project (example):

Burnham, Linda Frye, "Laughing and Crying in An Age of Anxiety: An Interview with Liz Lerman," "Everybody Say Hallelujah," Community Arts Network, http://www.commmunityarts.net; accessed (date you accessed it).

To cite a specific essay published with this project (example):

Hirshberg, Jane, "Hallelujah Diary," "Everybody Say Hallelujah," Community Arts Network, http://www.commmunityarts.net; (date you accessed it).

To cite a specific essay republished from another source (example)

Miller, Celeste, "Concentric Circles: Traditional Forms in Contemporary Performance," originally published in "Hallelujah: the Extraordinary Essence in Ordinary Life," (Takoma Park, Md.: Liz Lerman Dance Exchange, 2002); republished in "Everybody Say Hallelujah," Community Arts Network, http://www.commmunityarts.net; accessed (date you accessed it).