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Essays for Everybody Say Hallelujah

"Hallelujah" Diary
An essay on the problems of presenting performance within a community-based project, based on experience with the Liz Lerman Dance Exchange nationwide "Hallelujah" initiative, 1998-2002. By Jane Hirshberg (January 2003)

Changes: An Interview with Liz Lerman at the End of the "Hallelujah" Trail
Interview with the Dance Exchange director following the nationwide "Hallelujah" initiative, 1998-2002. By Linda Frye Burnham (March 2003)

Concentric Circles: Traditional Forms in Contemporary Performance
Collaborating with traditional Bon Odori dancers and modern dancers in the Liz Lerman Dance Exchange "Hallelujah" initiative, 1998-2002. By Celeste Miller (March 2003)

Dancing for God: An Interview with Penny Godboldo
Interview with a prominent choreographer in liturgical dance during the Liz Lerman Dance Exchange "Hallelujah" initiative, 1998-2002. By Linda Frye Burnham (March 2003)

Everybody Say Hallelujah
Introduction to CAN's major project in critical writing about and documentation of the Liz Lerman Dance Exchange nationwide "Hallelujah" initiative, 1998-2002. By Linda Frye Burnham (May 2001)

Everybody Say Hallelujah: the Burlington, Vermont, residency
"Eastside Story," coverage of the Burlington, Vermont, residency in the Liz Lerman Dance Exchange nationwide "Hallelujah" initiative, 1998-2002. By Linda Frye Burnham (May 2001)

Everybody Say Hallelujah: the Los Angeles, California, residency
"Westside Story," coverage of the Los Angeles, California, residency in the Liz Lerman Dance Exchange nationwide "Hallelujah" initiative, 1998-2002. By Linda Frye Burnham (May 2001)

Everybody Say Hallelujah: the Michigan residency
"On the Path to Paradise," coverage of the Michigan residency in the Liz Lerman Dance Exchange nationwide "Hallelujah" initiative, 1998-2002. By Linda Frye Burnham (January 2002)

Everybody Say Hallelujah: the Minneapolis, Minnesota, residency
"Dancing to the Music of Time," coverage of the Minneapolis, Minnesota, residency in the Liz Lerman Dance Exchange nationwide "Hallelujah" initiative, 1998-2002. By Linda Frye Burnham (December 2001)

Everybody Say Hallelujah: the North Carolina residencies
"From the Piedmont to the Blue Ridge," introduction to coverage of the North Carolina residencies in the Liz Lerman Dance Exchange nationwide "Hallelujah" initiative, 1998-2002. By Linda Frye Burnham (January 2003)

Hallelujah North Carolina: From the Piedmont to the Blue Ridge - the Asheville residency
Coverage of the Asheville, N.C., residency in the Liz Lerman Dance Exchange nationwide "Hallelujah" initiative, 1998-2002. By Linda Frye Burnham (January 2003)

Hallelujah North Carolina: From the Piedmont to the Blue Ridge - the Boone residency
Coverage of the Boone, N.C., residency in the Liz Lerman Dance Exchange nationwide "Hallelujah" initiative, 1998-2002. By Linda Frye Burnham (January 2003)

Hallelujah North Carolina: From the Piedmont to the Blue Ridge - the Greensboro residency
Coverage of the Greensboro, N.C., residency in the Liz Lerman Dance Exchange nationwide "Hallelujah" initiative, 1998-2002. By Linda Frye Burnham (January 2003)

Hallelujah North Carolina: From the Piedmont to the Blue Ridge - the Raleigh residency
Coverage of the Raleigh, N.C., residency in the Liz Lerman Dance Exchange nationwide "Hallelujah" initiative, 1998-2002. By Linda Frye Burnham (January 2003)

Hallelujah/USA: Call and Response
A few questions about the connection between art and faith, asked during the Liz Lerman Dance Exchange nationwide "Hallelujah" initiative, 1998-2002. By John Borstel (March 2003)

High Mass in the Church of Art: The "Hallelujah" Finale
Coverage of the ten-day final gathering in College Park, Maryland, of the Liz Lerman Dance Exchange nationwide "Hallelujah" initiative, 1998-2002. By Linda Frye Burnham (March 2003)

Laughing and Crying in An Age of Anxiety: An Interview with Liz Lerman
A conversation about a Dance Exchange repertory piece responding to 9/11, "Anatomies and Epidemics," created during the company's nationwide "Hallelujah" initiative, 1998-2002. By Linda Frye Burnham (January 2003)

May I Borrow?
About the National Teen Institute at the finale of the Liz Lerman Dance Exchange nationwide "Hallelujah" initiative, 1998-2002. By Elizabeth Johnson (March 2003)

Not Your Mother's Skateboarding Camp: Interviews at the National Teen Institute
Conversations at the finale of the Liz Lerman Dance Exchange nationwide "Hallelujah" initiative, 1998-2002. By Linda Frye Burnham (March 2003)

Pink Slips and Short Toes: An Interview with Celeste Miller
A conversation with a resident artist of the Liz Lerman Dance Exchange about new techniques developed during the company's nationwide "Hallelujah" initiative, 1998-2002. By Linda Frye Burnham (March 2003)

Riding the Sine Wave of "Hallelujah": An Interview with Joy Gill
A conversation with the executive director of the Liz Lerman Dance Exchange about the effects of its nationwide "Hallelujah" initiative on the organization. By Linda Frye Burnham (March 2003)

The Flood of Possibilities: An Interview with Michelle Pearson
A conversation with the project leader for the four North Carolina residencies of the Liz Lerman Dance Exchange's nationwide "Hallelujah" initiative, 1998-2002. By Linda Frye Burnham (January 2003)

When Stories Talk to Stories: The Dialogue of Dance
The associate artistic director of Liz Lerman Dance Exchange writes about the creation of civic dialogue during the company's nationwide "Hallelujah" initiative, 1998-2002. By Peter DiMuro (March 2003)

 
 


New Essays: HALLELUJAH
May I Borrow?
About the National Teen Institute at the finale of the Liz Lerman Dance Exchange nationwide "Hallelujah" initiative, 1998-2002. By Elizabeth Johnson (March 2003)
When Stories Talk to Stories: The Dialogue of Dance
The associate artistic director of Liz Lerman Dance Exchange writes about the creation of civic dialogue during the company's nationwide "Hallelujah" initiative, 1998-2002. By Peter DiMuro (March 2003)
Concentric Circles: Traditional Forms in Contemporary Performance
Collaborating with traditional Bon Odori dancers and modern dancers in the Liz Lerman Dance Exchange "Hallelujah" initiative, 1998-2002. By Celeste Miller (March 2003)

 

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