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Connecting Californians
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Based in Humboldt County, California,
the Dell'Arte Company has pioneered "Theatre of Place," which
is original theater created by, for, and about a particular community,
but that is accessible to audiences anywhere via a unique physical performance
style. Photo by M.K. Rothman
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Often the result is improved public policy. For example, a statewide project of a California faith-based community-organizing network helped to shape and pass legislation in Sacramento that devoted $50 million to after-school educational programs. Policy formation is part of democratic participation. Yet the process was as important as the product. From a dozen separate California communities, from hundreds of congregations, tens of thousands of people acted inclusively toward this common purpose. They learned from one another and about one another. Working together, using the techniques of adult, community-based, experiential education, they turned their communities into places of learning.
The Arts and Humanities and Community
The arts and humanities are a particularly powerful means by which people may turn their communities into places of learning. Through art:
The expressive, interpretive and creative aspects of the arts and humanities carry special utility when dividing lines have been etched deeply in communities. Often with greater power than other modes of human discourse, collective engagement with art can heal wounds, break logjams, build bridges.
It is not only at the extremes of experience, however, that the arts and humanities are important to collective life. Art is communitys growing edge. It is through expression, interpretation and creation that the culture is continually reinvented.
Nor does arts importance lie only at the extremes of talent or achievement. To be certain, the search is for truth and beauty. But it is through the collective process of reaching toward excellence, amateurs and professionals solving problems together, that the community can grow.
Story and Community
Absent the stories of others, how will we know them? Absent our own stories, how will we know ourselves? Story is inherent to human experience; we are the story-telling animal. Story is the means by which we learn, by which we make meaningful experience from the events of our lives together. The stories we are able to tell ourselves and others, those we can understand and imagine, carry our identity, our culture. They define what we believe to be possible in our individual and collective lives.
Interaction with narrative strengthens community in several ways:
Because of its innate power, story lies at the center of the work of those attempting to strengthen communities. Organizers start with the stories of individuals, using narrative to illuminate the hopes, concerns and interests of community members; the exploration and interpretation of shared stories creates common ground; and the collective action that follows is an attempt to build a community story. Artists and humanists with an interest in community use their narrative skills to express complex and sometimes contentious ideas, emotions and issues, enabling communication and connection. Stories that are of, by and for the communities in which they are publicly performed can be the galvanizing occasion for civic engagement.
The researchers posited that artists, humanists and organizers have developed an extensive practice using narrative to catalyze civic engagement. It was in search of the breadth and depth of this current practice that the inquiry started.
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The Community Arts Network (CAN) promotes
information exchange, research and critical dialogue within the field of
community-based arts. The CAN web site is managed by Art in the Public Interest. home | apinews | conferences | essays | links | special projects | forums | bookstore | contact |