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All CAN Essays (Alphabetical)
“To Be American” — Teaching the Role of the Artist in Animating Democracy
By Kate Collins
(July 2004)
"Creative Spaces" in the Land of the Long White Cloud
By William Cleveland
(October 2003)
"Hallelujah" Diary
By Jane Hirshberg
(January 2003)
23 Questions From Teachers that Artists Can Help Answer
By Linda Frye Burnham
(December 1999)
30 Years and Counting: A Context for Building a Shared Cross-Cultural Commons
By Jack (John Kuo Wei) Tchen
(November 2007)
A Bridge Conversation about Animating a Latin American Idea in the U.S.
By Vanessa Whang
(April 2008)
A Bridge Conversation about Creating Transformative Spaces
By Kathy Engel
(April 2008)
A Bridge Conversation on Anthropology as Social Activism
By R. Lena Richardson
(April 2008)
A Bridge Conversation on Connecting Action and Academia in California's Central Valley
By Tim Marema
(March 2008)
A Bridge Conversation on Creating with a Sense of Strategic Practice
By Jason Bulluck
(April 2008)
A Bridge Conversation on Innovative Approaches to Linking Nonprofit and For-profit Models
By Adam Forest Huttler
(April 2008)
A Bridge Conversation on New Paradigms of Artful Change
By Dudley Cocke, Peter Pennekamp and Craig McGarvey
(March 2008)
A Bridge Conversation on Politics and Humanity
By Caron Atlas
(March 2008)
A Bridge Conversation on Traditional and Organic Bridging
By Edyael Casaperalta
(April 2008)
A Bridge Conversation on the Creativity of Community Development
By Gayle Isa
(March 2008)
A Bridge Conversation on the Interweave of Culture and Ecology
By Caron Atlas
(April 2008)
A Bridge Conversation on the Power of Art To Move People
By Anan Ameri
(March 2008)
A Bridge Conversation on the Spiritual Core of Indigenous Social Justice
By Vanessa Whang
(March 2008)
A Brief Introduction to Augusto Boal
By Douglas L. Paterson
(December 1999)
A Call for Cultural Development
By Dudley Cocke and Ruby Lerner
(October 2003)
A Daring Adventure: Artists and teachers partner for school reform
By Linda Frye Burnham
(December 1999)
A Jar in Tennessee
By Richard Owen Geer
(May 2005)
A Journey of Discouragement and Hope: An Introduction to Arts and Corrections
By Grady Hillman
(December 2001)
A Lack of Guts and Intellectual Vigor Hobbles the Foundation World
By Pablo Eisenberg
(April 2002)
A Landmark Year: Community Arts and U.S. Higher Education 2006
By Linda Frye Burnham
(September 2006)
A More Perfect Union
By Linda Frye Burnham
(February 2003)
A Place in the Sun: Report on the 2005 Ensemble Theater Festival
By Linda Frye Burnham
(September 2005)
A Question of Values
(February 2000)
A Really Big Reason: An Interview with Marty Pottenger
By Catherine Jo
(April 2003)
A Response to the CAN Report
By Lee Ann Norman
(May 2006)
A Summer of Reading
By Linda Frye Burnham
(July 2000)
ActALIVE: Addressing HIV/AIDS-Related Grief and Healing Through Art
By Janet Feldman
(August 2007)
Acting Like Women: Performance Art of the Woman's Building
By Cheri Gaulke
(September 2002)
Acting on a Dream
By Linda Frye Burnham
(December 1999)
Activate the Learning, Support the Field: The Community-based Practicum in Youth Arts
By Nicole Garneau
(December 2005)
Activism with Heart: The Voices Against Violence Project
By Claire Canavan
(January 2005)
Adrian Fisher: Locomotive Labyrinth
(December 1999)
After the Hurricane: Survivors' Words and Pictures
By Piper Hanson
(August 2006)
Afterwords: A Conversation Around "Making Art/Making Home"
(October 2003)
Afterwords: A Conversation Around "Making Art/Making Home" – Part 2
(October 2003)
An Introduction to Alternate ROOTS
By Kathie deNobriga
(October 2003)
An Introduction to Community Art and Activism
By Jan Cohen-Cruz
(February 2002)
An Introduction to Training in Community Arts
By Linda Frye Burnham
(September 2001)
An Introduction to the Arts-for-Health Movement, or How the Arts Sneaked in on the Medical Model
By Janice Palmer
(November 2001)
An Introduction to the ROOTS Reader
By Linda Frye Burnham
(October 2003)
Answering the Call of the Drums
By Alice Lovelace
(November 2003)
Appalachia's Roadside Theater: Celebration of a Community's Culture
By Donna Porterfield
(September 2002)
Art Centers for Adults with Disabilities
By Elias Katz
(February 2002)
Art Club: A Safe Space in Baltimore
By Mari Gardner
(February 2007)
Art Grades Don't Count
By Thomas Hatfield
(September 1999)
Art Work, Social Work: An Interview with Kara McDonagh
By Linda Frye Burnham
(September 2006)
Art and Ceremony
By Barbara T. Smith
(September 2002)
Art and Its Transformative Power
By Charles H. Lawson
(December 2007)
Art and U.S. Elections 2004
By Linda Frye Burnham
(June 2004)
Art in Context: Industrial Pittsburgh catching up with Bill Strickland
By Gil Ott
(December 1999)
Art in Rebuilding Community: The Transforma Project in New Orleans
By Jan Cohen-Cruz
(June 2007)
Art in a Democracy
By Dudley Cocke
(October 2002)
Art in the AIDies: An Act of Faith
By Max Navarre
(September 2002)
Art in the House: Project Row Houses
By Shaila Dewan
(December 1999)
Artibarri: To Share and Debate in Catalonia
By Arlene Goldbard
(September 2007)
Artists on the Spot
By Martha Bowers
(November 2000)
Arts and Creative Aging Across America
By Susan Perlstein
(October 2002)
As Vishnu Dreams
By Shishir Kurup
(March 2005)
Attending to Your Process for Healthy Collaboration
By Sheila Kerrigan
(March 2001)
Authentic Passion: An introduction to the arts in rural and small communities
By Janet Brown
(March 2002)
Behind the Fence: Forum Theatre on Lupus, Lead Poisoning & Environmental Justice
By John Sullivan
(February 2008)
Belfast's Mount Vernon: Community Arts Shapes a New Vision
By Anne-Sophie Morrisette
(January 2006)
Between Me and the Giant: Imagination Workshop
By William Cleveland
(September 2002)
Between the Diaspora and the Crinoline: An Interview with Bonnie Sherk
By Linda Frye Burnham
(September 2002)
Between the Edge and the Root: Action Lab in Hunts Point
By Jan Cohen-Cruz
(July 2006)
Beyond Disability: The Fe Fe Stories
By Jennifer Roche
(December 2004)
Beyond Victimization
By Dan Kwong
(October 2003)
Body of Faith
By Luis Alfaro
(March 2005)
Book Review: New Creative Community
By Tom Borrup
(November 2006)
Book Review: The Creative Community Builder’s Handbook
By Libby Maynard
(November 2006)
Book Review: Works of Heart
By Jennifer Roche
(April 2007)
Bridges, Translations and Change: The Arts as Infrastructure in 21st Century America
By William Cleveland
(December 1999)
Bridging Art and Research: An Interview with Susan Monagan
By Linda Frye Burnham
(February 2006)
Building the Creative Class from the Grassroots: How community is built by the eight theaters in "Performing Communities"
By Linda Frye Burnham
(November 2002)
Cómo un teatro en Bolivia enfrenta los problemas de la privatización del agua
By Eve Tulbert
(May 2004)
CWT#3: Making City Water Tunnel #3
By Marty Pottenger
(September 2002)
Call Me in '93: An Interview with James Luna
By Steven Durland
(September 2002)
Canoes in New Zealand: Coastal Mappings
By Petra Kuppers
(April 2006)
Case for Creative Arts Therapy, The
By Joel Plotkin
(December 1999)
Caution - Heart of the Beast Near
By Debra Frasier
(April 2000)
Center for Cultural Exchange: It's About Form, Content and Letting Go
By Tom Borrup
(September 2003)
Challenging Our Students' Place through Collaborative Art: A Service-Learning Approach
By Karen Hutzel
(March 2008)
Changes: An Interview with Liz Lerman at the End of the "Hallelujah" Trail
By Linda Frye Burnham
(March 2003)
Chaos, Art and the Age of Uncertainty
By William Cleveland
(December 1999)
Cheerleader for the Revolution: Thoughts on Carpetbag Theater Company
By Ann Kilkelly
(November 2002)
Common Memory: The Community Visual Art Challenge of Gwylène Gallimard
By Linda Frye Burnham
(December 2004)
Common Sense and Common Ground
By William Cleveland
(September 2001)
Community Artists Bring Lessons About Creativity and Learning in Difficult Times
By Erica Kohl
(November 2005)
Community Arts 2007: A Muscular Year
By Linda Frye Burnham
(December 2007)
Community Arts and Technology: Confessions of a Quiet Practitioner
By Joe Lambert
(May 2002)
Community Arts, Popular Participation and Teatro Comunitario: Buenos Aires’ Programa Cultural en Barrios
By Ruth Juliet Wikler-Luker
(August 2007)
Community Works: Sambo Mockbee and the Rural Studio
By Bruce Lindsey
(September 2007)
Community, Culture and Globalization
By Don Adams and Arlene Goldbard
(January 2002)
Community-based Art for Social Change
By Kathie deNobriga and Mat Schwarzman
(October 1999)
Concentric Circles: An Interview with Mary Jane Jacob
By Carole Tormollan
(December 1999)
Concentric Circles: Traditional Forms in Contemporary Performance
By Celeste Miller
(March 2003)
Conference Notes, Toronto – Community Arts: What's in a Name?
By Linda Frye Burnham
(December 2006)
Conference Report: Engaging Through Place at Imagining America
By Nicole Garneau
(March 2007)
Constructing Alternative Narratives: Mid-Western Bridges
By J. Otis Powell!
(October 2006)
Converging Streams: The Community Arts and Sustainable Community Movements
By Patricia A. Shifferd and Dorothy Lagerroos
(November 2006)
Conversations at the Intersection of Art and Activism
By Linda Frye Burnham
(April 2003)
Cornerstone's Faith-based Theater Cycle: How Does Faith Unite and Divide Us?
By Jan Freya
(January 2006)
Courting Catharsis
By Gerard Stropnicky
(October 1999)
Creating Behind the Razor Wire: An Overview of Arts in Corrections in the U.S.
By Krista Brune
(January 2007)
Creating a Generative Moment — An Interview with Arlene Goldbard
By Jan Cohen-Cruz
(July 2004)
Creative Economy Practitioner's Toolkit: Taking Advantage of Campus and Community Resources (Part 1)
By Susan Monagan, Susan Christopherson and Suzanne Loker
(August 2007)
Creative Economy Practitioner's Toolkit: Taking Advantage of Campus and Community Resources (Part 2)
By Susan Monagan, Susan Christopherson and Suzanne Loker
(August 2007)
Creative Organizations: Putting Culture to Work in Community Development
By Tom Borrup
(January 2004)
Creativity, Faith and a Stronger Community
By Maryo Gard Ewell
(August 2006)
Crisscrossing the University-Community Borderline: The 31st Annual Social Theory, Politics and the Arts Conference
By Nicole Garneau
(December 2005)
Cross Tides: Getting the picture
By Linda Frye Burnham
(December 1999)
Cultura para Todos: Colombian Community Arts... and politics
By Susan Appe
(January 2007)
Cultural Organizing: A Conversation at the Intersection
(August 2006)
Cultural Policy: In the board rooms and on the streets
By Caron Atlas
(August 2002)
Culture After Saddam: Video Artists Restore a Country's Identity in Iraqi Kurdistan
By Ann Zimmerman
(December 1999)
Culture and Development: A New Paradigm
By Cristina Losito
(October 2000)
D.B.D. - the Mind/Body Spa: An Interview with Rachel Rosenthal
By Linda Frye Burnham
(September 2002)
Damn Good Theater – What It Is And How To Get It in Blue Lake, California: Thoughts on The Dell'Arte Company
By Robert H. Leonard
(November 2002)
Dance Camp for Grown-ups
By Maggie Kast
(January 2000)
Dance and Older People: An Interview with Catherine Baumgartner
By Renya Larson
(October 2005)
Dancing Dolphins: Approaches to Eco-Arts and Community Dance
By Petra Kuppers
(September 2005)
Dancing From the Heart: Urban-based Community Arts
By Richard Owen Geer
(May 2002)
Dancing for God: An Interview with Penny Godboldo
By Linda Frye Burnham
(March 2003)
Dancing in Community: Its Roots in Art
By Liz Lerman
(September 2002)
Dancing in the Blind Spot
By Stuart Pimsler
(July 2005)
Darn It, But Thank You
By Linda Frye Burnham
(June 2002)
Days and Nights with DAH
By William Cleveland
(February 2005)
Declaration of Cultural Human Rights
By Alliance for Cultural Democracy
(August 2004)
Deep Dish TV
By Linda Yablonska
(December 1999)
Deeper than Skin or Gender: Community Arts and Cultural Diversity
By Alice Lovelace
(July 2002)
Demarginalizing Art
By Caron Atlas
(July 2005)
Developing Partners: Inside Three Arts Organizations
By Takiyah Nur Amin
(August 2005)
Dialectic of Community Arts Practice and Globalization, or Is This Parade Going the Wrong Way?
By Tom Borrup
(June 2003)
Digitizing the Extended Family
By Joyce Fernandes
(December 1999)
Disguised as a Poem: My Years Teaching Poetry at San Quentin
By Judith Tannenbaum
(August 2000)
Doing Time in the Garden: Life Lessons Through Prison Horticulture
By James Jiler
(June 2007)
Don't Do It! Organizational Suicide Prevention for Progressives
By Arlene Goldbard
(September 2004)
Drawing the Line at Place: The Environmental Justice Project
By Mat Schwarzman
(September 2002)
Drum Sticks: A Story From Scrap Mettle SOUL, Chicago
By Eve Tulbert
(June 2002)
Ecoartists: Engaging Communities in a New Metaphor
By Patricia Watts
(January 2005)
Educational Reform — A Quick Glance
(December 1999)
El Teatro Campesino: An Interview with Luis Valdez
By Carl Heyward
(September 2002)
El Teatro Lucha de Salud del Barrio: Theater and Environmental Health in Texas
By John Sullivan
(October 2005)
End Cultural Isolationism
By Dudley Cocke
(November 2001)
Euro Bytes
By Robin Oppenheimer
(March 2000)
Everybody Say Hallelujah
By Linda Frye Burnham
(May 2001)
Everybody Say Hallelujah: the Burlington, Vermont, residency
By Linda Frye Burnham
(May 2001)
Everybody Say Hallelujah: the Los Angeles, California, residency
By Linda Frye Burnham
(May 2001)
Everybody Say Hallelujah: the Michigan residency
By Linda Frye Burnham
(January 2002)
Everybody Say Hallelujah: the Minneapolis, Minnesota, residency
By Linda Frye Burnham
(December 2001)
Everybody Say Hallelujah: the North Carolina residencies
By Linda Frye Burnham
(January 2003)
Examining the Challenge of Cultural Diversity
By Arlene Goldbard
(April 2005)
Expanding the Frame of Educational Thinking
By Arnold Aprill
(May 2005)
Exploring Religious Tolerance through Community-Based Theater
By Sharon Green
(June 2005)
Eye of the Storm: Reflections on Violence
By David Jeffreys
(May 2007)
Faces of Fruitvale: Peralta Hacienda Historical Park
By Erica Kohl
(February 2001)
Finding the Thread of an Interrupted Conversation: the Arts, Education, and Community
By Arnold Aprill
(February 2002)
First We Make Music: An Introduction to Music and Community Arts
By Patricia A. Shifferd
(March 2002)
Five Keys to Growing a Healthy Community-connected Museum
By Ron Chew
(February 2005)
Folklife, Meet Community Arts
By Bau Graves
(January 2004)
For What It's Worth: Uncovering the Hidden Value in Work
By Lara Lepionka
(April 2007)
Fugitive Sites, Fugitive Meanings
By Arlene Goldbard
(May 2003)
Getting Outside the Bubble: Tisch School of the Arts' Campus-Community Connection
By Linda Frye Burnham
(May 2005)
Getting in History's Way
By Claire Peeps
(August 2001)
Glossary of Terms from Augusto Boal's Theatre of the Oppressed
By Jan Cohen-Cruz and Mady Shutzman
(December 1999)
Going The Other Way with Scrap Mettle SOUL
By Jennifer Roche
(June 2004)
Grass ROOTS Vanguard
By Don Adams and Arlene Goldbard
(August 2002)
Grassroots Arts Education on the Cutting Edge: An Interview with Sonia BasSheva Mañjon
By Linda Frye Burnham
(September 2006)
Grassroots, Community-based Theater: A View of the Field and Its Context
By Robert H. Leonard
(December 2003)
Growing Together: Artists & Farmers Meet in Lancashire
By Linda Frye Burnham
(October 2006)
Hallelujah North Carolina: From the Piedmont to the Blue Ridge - the Asheville residency
By Linda Frye Burnham
(January 2003)
Hallelujah North Carolina: From the Piedmont to the Blue Ridge - the Boone residency
By Linda Frye Burnham
(January 2003)
Hallelujah North Carolina: From the Piedmont to the Blue Ridge - the Greensboro residency
By Linda Frye Burnham
(January 2003)
Hallelujah North Carolina: From the Piedmont to the Blue Ridge - the Raleigh residency
By Linda Frye Burnham
(January 2003)
Hallelujah Wire
(October 2000)
Hallelujah/USA: Call and Response
By John Borstel
(March 2003)
Hands Across Skid Row: John Malpede's Performance Workshop for the homeless of L.A.
By Linda Frye Burnham
(December 1999)
Help Wanted! Communities Reach Out
By Linda Frye Burnham and Steven Durland
(February 2007)
Herstory: Spider Woman Series
By Donna Henes
(March 2005)
High Mass in the Church of Art: The "Hallelujah" Finale
By Linda Frye Burnham
(March 2003)
Higher Ground: Informal Arts, Cultural Policy and the Evolving Role of Nonprofits
By Tom Borrup
(July 2007)
Holding the Door Open: An Interview with Homer Jackson
By Gil Ott
(December 1999)
Holly's Comets
By Ronald Ehmke
(December 1999)
How Face-to-Face Art Changes Lives: Cornerstone's Bill Rauch testifies before Congress
By Bill Rauch
(September 1999)
How To Document an Event
By Linda Frye Burnham
(September 2004)
How To Use a Consensus Process To Make Decisions
By Sheila Kerrigan
(September 2004)
I Am of a Place...
By Jo Carson
(October 2003)
I Can Write a River: An interview with Jo Carson
By Linda Frye Burnham
(December 1999)
I Was Singing You
By Alice Lovelace
(November 2006)
INROADS: The Intersection of Art & Civic Dialogue
By Andrea Assaf, Pam Korza and Barbara Schaffer-Bacon
(August 2002)
Ideology, Confrontation and Political Self-Awareness
By Adrian Piper
(September 2002)
Imagination Workshop: Disciplining the imagination
By William Cleveland
(December 1999)
Impatience with Things as They Are: Art faces a developmental challenge
By Linda Frye Burnham
(December 1999)
In His Own Words: An interview with Augusto Boal
By Douglas L. Paterson and Mark Weinberg
(December 1999)
In Search of Katha — Celebrating the Power of Story in India
By Amanda Leigh Lichtenstein
(April 2004)
Integrating Community Arts and Conflict Resolution: Lessons and Challenges from the Field
By Craig Zelizer
(June 2007)
Intermedia Arts: Bringing Many Voices to the Table
By Tom Borrup
(September 2003)
Introduction to The Citizen Artist: 20 Years of Art in the Public Arena
By Steven Durland
(September 2002)
It Was a Time of Hope – A Time of Challenge
By Alice Lovelace
(October 2003)
It's About Building Relationships: Duke Performance Students Engage Community in Durham
By Sheila Kerrigan
(November 2004)
It's About Transformation: Thoughts on Arts as Social Action
By Mat Schwarzman
(December 1999)
It's All I Can Think About: An Interview with Nancy Buchanan
By Linda Frye Burnham and Steven Durland
(September 2002)
It's Hard to Watch Your Brother Die: A Story from the Dead Man Walking School Theatre Project
By Shelly Johnson and Jared Williams
(November 2006)
Jumping In with Courage: An Interview with Ken Krafchek
By Linda Frye Burnham
(September 2006)
Just a Little Drop of Water: How a community based theater in Bolivia addresses the problem of water privatization
By Eve Tulbert
(May 2004)
Keeping it Real: The People's Agenda for Economic Justice
By Linda Frye Burnham
(February 2004)
Knowing the Secrets Behind the Laughter: Findings of The Grassroots Ensemble Theater Research Project
By Ann Kilkelly and Robert H. Leonard
(March 2003)
LAPD Inspects Raleigh
By Linda Frye Burnham
(December 1999)
LAPD, Skid Row & The Real Deal
By Elia Arce and John Malpede
(September 2002)
Latitude 32° – Navigating Home
By Suzanne Lacy
(October 2003)
Laughing and Crying in An Age of Anxiety: An Interview with Liz Lerman
By Linda Frye Burnham
(January 2003)
Laughing at the Edge: Thoughts on WagonBurner Theater Troop
By Ann Kilkelly
(November 2002)
Learning at Street Level: Columbia College Chicago's New Youth-Arts Master's Degree
By Linda Frye Burnham
(February 2004)
Learning from My Life: Why I Chose Youth Arts
By Erin Patinkin
(February 2004)
Learning to Translate Art into the Language of Community
By Christy Zuccarini
(September 2006)
Let Art Begin at Home: The Amery Story
By LaMoine MacLaughlin
(March 2005)
Let's Give Them Something to Talk About: Animating Democracy's Last Gathering
By Linda Frye Burnham
(November 2003)
Letter from an Artist: Boyle Heights, The Power of Place
By Dan Kwong
(March 2003)
Letter from an Artist: Catching Magic in the Los Padillas Water Catchment Project
By Chrissie Orr
(November 2004)
Letter from an Artist: Invisible Lines
By Lauren Elder
(July 2003)
Letter from an Artist: Jules Corriere
By Jules Corriere
(September 2001)
Letter from an Artist: Marty Pottenger
By Marty Pottenger
(October 2001)
Letter from an Artist: The Dream Life of Bricks
By Martha Bowers
(December 2002)
Letter from an Artist: The Wallpaper Project
By Rachel Barber
(April 2004)
Listen Up: Sojourn Theatre's Lessons in Community Dialogue
By Linda Frye Burnham
(September 2005)
Listening for the Lexicon of Cultural Shift
By Linda Frye Burnham
(May 2007)
Little Epiphanies: Thoughts on Roadside Theater
By Ann Kilkelly
(November 2002)
Living Like a Refugee: Peggy Diggs Takes a Design Problem to Prison
By Linda Frye Burnham
(March 2007)
Living in the Questions of Animating Democracy
By Kate Collins
(January 2006)
Living with the Doors Open: An Interview with Blondell Cummings
By Veta Goler
(September 2002)
Living with the Doors Open: An interview with Blondell Cummings
(December 1999)
Liz Lerman
By Chris Westberg
(December 1999)
Love and Respect at Work in the Creative Process: Thoughts on Cornerstone Theater Company
By Robert H. Leonard
(November 2002)
Lynne Hull
By Sue Thornton
(December 1999)
Lyrical Expression, Critical Engagement, Transformative Action: An Introduction to Art and the Environment
By Tim Collins
(June 2003)
Magic Glue: The Politics and Personality of Jump-Start
By Ann Kilkelly
(November 2002)
Maintaining Humanity: An Interview with Grady Hillman about Arts-in-Corrections
By Steven Durland
(September 2002)
Making Art in Booklyn: Each One Teach One
By Jamie Munkatchy
(March 2005)
Making Art/Making Home
(October 2003)
Making Art/Making Home: An Introduction
By Neill Bogan
(October 2003)
Making Community: Voices from the dialogues
By Gwylène Gallimard
(October 2003)
Making Exact Change: How U.S. arts-based programs have made a significant and sustained impact on their communities
By William Cleveland
(November 2005)
Making Things and Making Things Better
By Frances McCue
(October 2004)
Mapping Within: The Making of a University-community Arts Partnership
By Amanda Leigh Lichtenstein and Rachel McIntire
(December 2005)
Mapping the Field: Arts-Based Community Development
By William Cleveland
(May 2002)
Marisela Norte and Willie Garcia: Metro Art
(December 1999)
Mary Giehl: Shadows of Children
(December 1999)
May I Borrow?
By Elizabeth Johnson
(March 2003)
Meaning or McCalgary?
By Maryo Gard Ewell
(March 2002)
Measuring Change in Continental Harmony
By William Cleveland and Patricia A. Shifferd
(June 2001)
Miles from Nowhere: Teaching Dance in Prison
By Leslie Neal
(September 2002)
Minding the Gap: A Cross-Generational Dialogue, Part I
By Arlene Goldbard and Lee Ann Norman
(June 2006)
Minding the Gap: A Cross-Generational Dialogue, Part II
By Arlene Goldbard and Lee Ann Norman
(June 2006)
Moira Hahn
By Sara Wolf
(December 1999)
Mother Africa Laughs: The Rwandan Folk Tale Project
By Judd Hardy
(December 2006)
Muraleando — Community Arts in a Havana Barrio
By Henri Ewaskio
(July 2004)
Music Crosses Over at the House of Blues
By Jennifer Roche
(May 2004)
Nayo Watkins: Creating Art, Transforming Lives, One Community at a Time
By Andrea Hamilton
(April 2003)
Negotiations: Learning Hard Lessons
By Robert H. Leonard
(October 2003)
Neither That Nor That: Trading Stories at the Intersection of Arts and Penal Welfare
By Nina Billone
(May 2008)
Network of Ensemble Theatre Holds First Festival, Conference
By Robert H. Leonard
(August 1999)
New Orleans Case Studies: Illustrating Coalition Work of Organizers, Educators and Artists
(February 2004)
New Orleans, As It Is
By Mat Schwarzman
(April 2006)
News from the Freire and Boal Conference
By Robert H. Leonard
(August 1999)
Nine Eleven, Fear and Hand Me Down Shoes
By Linda Frye Burnham
(April 2002)
No Time for the Blues (Aesthetic)
By Pearl Cleage
(September 2002)
Norma Bradley: Community Quilt Project
(December 1999)
Not Your Father's Art Center: The Center for Contemporary Art's Teen Project in Santa Fe
By Steven Durland
(December 1999)
Not Your Mother's Skateboarding Camp: Interviews at the National Teen Institute
By Linda Frye Burnham
(March 2003)
Notes on Prison Theater in Northern Uganda, Part 1
By Kevin M. Bott
(September 2007)
Notes on Prison Theater in Northern Uganda, Part 2
By Kevin M. Bott
(October 2007)
Notes on Prison Theater in Northern Uganda, Part 3
By Kevin M. Bott
(November 2007)
O.J. Simpson Coloring & Activity Book
By Colin Quashie
(January 2005)
Of the People, By the People, and For the People: The field of community performance
By Richard Owen Geer
(September 2002)
Of the People, By the People, and For the People: The field of community performance
By Richard Owen Geer
(October 1999)
On Cultural Citizenship
By John Killacky
(December 1999)
On the Side of the Deepest Soul on Earth: An Interview with Ja Kyung Rhee and Hye Sook of Theatre 1981
By Steven Durland
(September 2002)
On the Yard: Prison art connects with the outside
By Tom Skelly
(December 1999)
Opus B
By Chris Westberg
(December 1999)
Organizing and Theater: Bus Riders Union
By Erica Kohl
(February 2001)
Overlaps, Intersections and Conflicts: An Introduction to Arts and Culture
By Arlene Goldbard
(March 2002)
Pangea World Theater: Vibrant Voice of Immigrants and Exiles
By John Townsend
(May 2006)
Paradigms on the Move: The Groundworks Monongahela Conference
By Cynthia Robinson
(December 2005)
Part of a Greater Whole – Reflections on Intersection IV: Re/Generations
By Caron Atlas
(November 2006)
Partnering for GOOD: Sojourn Theatre Cuts a Deal
By Maureen Towey
(November 2007)
Pearl Ubungen: In the Alley
By Katia Noyes
(December 1999)
Performances at the Festival of Ensemble Theatres
By Robert H. Leonard
(August 1999)
Performing Communities: Introduction
(November 2002)
Pictures on the Land: Dutchess County "Farm Again" crop art
By Steven Durland
(December 1999)
Pink Slips and Short Toes: An Interview with Celeste Miller
By Linda Frye Burnham
(March 2003)
Places To Study: Opportunities in Community Arts
By Linda Frye Burnham
(March 2001)
Policy Research on Community Arts: A Collective Endeavor
By Maria-Rosario Jackson
(July 2002)
Postscript to the Past: Notes Toward a History of Community Arts
By Arlene Goldbard
(December 1999)
Power and Mastery — Negotiations in Community-based Visual Art
By Neill Bogan
(October 2003)
Power in Practice: Notes on a New Kind of Arts Conference
By Linda Frye Burnham
(October 2003)
Practicing in Public
By Mary Jane Jacob
(October 2003)
Professional Jaywalker: Richard Posner on crossing from the studio to public art
By Douglas Eby
(September 2002)
Public Art's Cultural Evolution
By Jack Becker
(February 2002)
Putting Culture Back into Agriculture
By Maryo Gard Ewell
(December 2006)
Que No Se Vuelva a Repetir
By Aryeh Shell
(May 2008)
RFK in EKY: Maximum Feasible Participation
By Jane Hirshberg
(November 2004)
ROOTS & Race: Walking Our Talk
By Lisa Mount
(March 2004)
ROOTS Goes to Spoleto: A Report
By Frank Martin
(October 2003)
Re/Generations: Bridging the Centuries of Art & Activism
By Linda Frye Burnham
(November 2006)
Really Caring: Why a comprehensive healthcare system includes the arts
By Susan Perlstein
(December 1999)
Reclaiming Culture: ¡Que Viva La Posada!
By Aryeh Shell
(January 2008)
Reflections on Convergence: A Youth Perspective on Intersection IV
By Jacqueline Johnson and Raul Matta
(November 2006)
Reflections on New Orleans
(February 2004)
Rehearsing for Dramatic Change in Afghanistan
By Sonja Arsham Kuftinec
(December 2004)
Relationship, Reciprocity, Reclamation: The Arts at Cal State Monterey Bay
By Jan Freya
(April 2007)
Residency Story: They Won't Dance, Don't Ask Them
(December 1999)
Resolving Conflicts: A Poet's Residency in Tulsa
By Alice Lovelace
(September 2002)
Resonant Spaces/Dynamic Flow
By James Garrett Jr.
(March 2004)
Richard Florida's High-class Glasses
By Ann Daly
(October 2004)
Richard Kamler
By Laura Jamison
(December 1999)
Riding the Sine Wave of "Hallelujah": An Interview with Joy Gill
By Linda Frye Burnham
(March 2003)
Ripples of the Fourth Wave: New York's viBePoetry
By Dana Edell
(February 2006)
Ritual Keeper: An Interview with Anna Halprin
By Janice Steinberg
(September 2002)
River Voice
By Linda Frye Burnham
(May 2000)
River of Words and Images
By Linda Frye Burnham
(May 2000)
Running Commentary: Alternate ROOTS
By Linda Frye Burnham
(October 2003)
Running To Catch Up with the People: A Conversation with Robert Gard, Ralph Kohlhoff and Michael Warlum, 1969
By Michael F. Warlum
(September 2004)
Shards, Circles, Jails, Journeys and Cootie Shots: Four New Books
By Linda Frye Burnham
(April 2002)
Sharing the Future: Boston: IBA / Arte y Cultura
By Alan West
(December 1999)
Sharing the Future: Philadelphia: The Village of Arts and Humanities
By Gil Ott
(December 1999)
Sharing the Future: San Antonio: The Guadalupe Cultural Arts Center
By Lynn Gosnell
(December 1999)
Sharing the Future: The arts and community development
By Gil Ott
(December 1999)
She Who Would Fly: An Interview with Suzanne Lacy
By Richard Newton
(September 2002)
Shock of the Real: An Interview with Karen Finley
By Margot Mifflin
(September 2002)
Shooting the Klan: An Interview with Andres Serrano
By Coco Fusco
(September 2002)
Silence Still = Death
By Lucy Lippard
(September 2002)
Singing on the Mountain: A View of Alternate ROOTS
By Kenneth C. Raphael
(October 2003)
Small Town America ReDesigns Itself into Prosperity
By Jennifer Roche
(July 2005)
Socially Engaged Art, Critics and Discontents: An Interview with Claire Bishop
By Jennifer Roche
(July 2006)
Solo Performing as Call To Arms
By Tim Miller
(March 2002)
Some Historical Threads of the Community Arts Story (and why they are important).
By Maryo Gard Ewell
(July 2002)
South Dakota Celebrates a Black Pioneer
By Susan Stoneback
(July 2006)
Speaking in Poems
By Spoon Jackson
(May 2007)
Spirit of Tibet
By Wendy Morris
(March 2005)
Spirit of the Northwest
(March 2001)
States of Shock & Unknowing: On Documenting the Wake of Katrina & Rita in Southern Louisiana
By John Sullivan
(April 2006)
Steel Festival: Art of an Industry
By Linda Frye Burnham
(October 1999)
Steelbound and Pouring the Sun: An artistic connection with a people's yearning
By Robert H. Leonard
(October 1999)
Stepping In and Out: Performance Art in the Community College ESL Curriculum
By Carol Ng
(October 2006)
Street Cred: Two Community Arts Exhibitions in Baltimore
By Linda Frye Burnham
(April 2006)
Student Assessment Questionnaire
(December 1999)
Support for Art and Social Justice
By Claudine Brown
(February 2003)
Surviving Genocide: The Rwanda Healing Project
By Lily Yeh
(December 2005)
Swamp Gravy: Northerners tell stories in private and call it therapy. Southerners tell stories in public and call it swapping lies.
By Richard Owen Geer
(December 1999)
Swappin' Lies in Miller County: The Story of Swamp Gravy
By Linda Frye Burnham
(December 1999)
Swimming in the River of Words 2001
By Linda Frye Burnham
(June 2001)
Taking Action: Teaching Participatory Community-based Theater
By Linda Frye Burnham and Mark Weinberg
(September 2001)
Taking Action: Teaching Participatory Community-based Theater – Amy Sarno
(September 2001)
Taking Action: Teaching Participatory Community-based Theater – Ann Elizabeth Armstrong
(September 2001)
Taking Action: Teaching Participatory Community-based Theater – Kate Mendeloff
(September 2001)
Taking Action: Teaching Participatory Community-based Theater – Leslie Delmenico
(September 2001)
Taking Action: Teaching Participatory Community-based Theater – Mark Weinberg
(September 2001)
Taking Action: Teaching Participatory Community-based Theater – Sharon Green
(September 2001)
Taking Action: Teaching Participatory Community-based Theater – Sonja Kuftinec
(September 2001)
Taking Back the Power: An Interview with Robbie Conal
By Claire Peeps
(September 2002)
Taking Down the Walls from the Outside
By Marshall Weber
(December 1999)
Taking It to the Bank: Unlocking Community Cultural Assets
By Tom Borrup
(November 2003)
Talk About Change: A Conference in Belfast
By Linda Frye Burnham
(January 2006)
Tamejavi
By Dudley Cocke
(May 2005)
Tapping In: An interview with Bill Rauch, director of "Steelbound"
By Linda Frye Burnham
(October 1999)
Teaching Topics for Community-based Arts for Social Change
By Alternate ROOTS
(November 1999)
TeenStreet
By David Krasnow
(December 1999)
Telling It... The Art of Storytelling
By Adora Dupree
(October 2003)
Telling and Listening in Public: Factors for Success
By Linda Frye Burnham
(February 2001)
Telling and Listening in Public: The Critical Disco |