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« June 2008 | Main | August 2008 »

CAN Blog July 2008 Archives
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July 31, 2008

You might be a redneck artist
Linda Frye Burnham / 03:11 PM

...if you can paint with ribs and barbecue sauce. (Thanks Anthony Jones.)

Redneck Art


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Artists & Communities 2009-2010 Guidelines Available
Linda Frye Burnham / 02:06 PM

Forwarded from Mid Atlantic Arts Foundation:

Mid Atlantic Arts Foundation announces the release of guidelines for the 2009-2010 cycle of Artists & Communities, a program that offers support for long-term residencies developed collaboratively by visiting artists with host nonprofit organizations to conduct community-based creative projects.

Artists & Communities provides opportunities for professional artists to collaborate with nonprofit organizations in projects that result in the creation of new work and involve members of the host community in the artistic process. Artists and nonprofit organizations from Delaware, the District of Columbia, Maryland, New Jersey, New York, Pennsylvania, the U.S. Virgin Islands, Virginia, and West Virginia are eligible to participate in the program.

The 2009-2010 Artists & Communities guidelines can be downloaded online. The deadline for the applications is December 1, 2008 for projects taking place between April 1, 2009 and March 31, 2010.

Guidelines


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Call for entries: Art & Science Collaborations
Linda Frye Burnham / 01:56 PM

Art & Science Collaborations, Inc. is organizing a special OPEN CALL for poster submission titled “Imagination On Behalf Of Our Planet.”

Details


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July 29, 2008

A job in Canada
Linda Frye Burnham / 06:08 PM

FPurpose:
Common Weal Community Arts is a provincial arts organization located in Saskatchewan that links professional artists with communities to promote social justice and cultural identity through collaborative art projects and research. The position of Executive Director contributes by leading the day-to-day operations of Common Weal and working in collaboration with the board of directors, ensuring that the mandate and values of the organization are upheld.

Scope:
Reporting to the board of directors, this position provides leadership in a variety of areas including: strategic planning, human resources development, management and support, board support, policy development, fund development and financial management, partnership development and internal/external communications.

Education and Experience:

-Bachelor of Fine Arts Degree or a relevant area and a minimum of 3 years of related arts management experience;
-Demonstrated leadership and management skills in the not-for profit sector;
-Demonstrated experience and knowledge of community development processes and community-engaged art practices
-Demonstrated experience developing funding proposals, conducting evaluation and establishing organizational benchmarks;
-Bookkeeping and accounting knowledge;
-General understanding of Macintosh Environment and Office Software;

Salary Range
$35 000.00 - $40 000.00
-Benefit package provide after compulsory probation period.

Interested applicants should send a cover letter, curriculum vitae/resume and references by August 25, 2008 to

By mail:
Elwood Jimmy, Executive Director
Common Weal Community Arts Inc.
2431 8th Avenue
Regina SK S4R 5J7

By e-mail:
gm@commonweal-arts.com

For more information, please refer to our website at www.commonweal-arts.com.orwarded from Common Weal Community Arts:


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July 24, 2008

A great job -- if you qualify!
Linda Frye Burnham / 12:16 PM

Another entry in the "be careful what you ask for" category of job descriptions from the UK, where community art has become organized and sustainable. It's from the "refugee arts sector" and requires an unusual skill set:

Sound It Out Community Music is the regional Community Music Development Agency for the West Midlands, and is looking to appoint a highly motivated, enthusiastic individual to join our growing team.

Programme Officer – Cultural Cohesion
Part Time (22.5 hours p/week) £19,500 pro rata

This is an exciting new post that has been created to develop strategic links within the Refugee Arts sector (working with refugee, asylum seeker and economic migrant communities).

You will work with the Sound It Out team as well as a broad number of external agencies and stakeholders to develop Sound It Out’s programme of work in the refugee arts sector, and will coordinate delivery of activity. You will also be responsible for attracting funding to the strand and for administering this. You will be a dynamic individual with project management, fundraising and refugee arts experience.
...
Sound It Out is an Equal Opportunities Employer.
This position is subject to an Enhanced Disclosure check under the Rehabilitation Offenders Act.


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July 23, 2008

Best 2008 press release -- a challenger!
Linda Frye Burnham / 11:41 AM

I already awarded Dell'Arte my Favorite Press Release of 2008 award, but I might have to rescind that decision. Here's a true challenger from another Northern California collective: Modern Garage Movement.

Modern Garage Movement Dance Performance
at SF Camerawork, 657 Mission St, Second Floor
Saturday August 2nd, 1pm
$5 public/$2 students and seniors/free for members

Dance collective Modern Garage Movement exploits the gallery landscape by blending in and moving through it virtually unseen in this site-determined dance with their new piece entitled New Gree, a dance on tour that not only happens anywhere, but is happening all the time. An aim, but not goal, of New Gree is to dance in complete unison with eyes closed, navigating safely through densities of people and space. Ulteriorly, the choreography works with shifting formations of energy and hyper-reality in relation to the mobile audience, building additive layers of past and future performances, past and future influences, and linking everyone and everything in the accumulative journey of now. MGM is Theo Angell (of the road and sky), Felicia Ballos (connector), Biba Bell (doctoral candidate), Jmlly Leary (all over the place), and Robert McNeill (of country teasers).

For more information, please visit www.moderngaragemovement.com


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Grassroots arts organizing works in Santa Monica
Linda Frye Burnham / 09:56 AM

Forwarding an e-mail sent out to arts supporters in Santa Monica, Calif., by Jan Williamson, executive director of the 18th Street Arts Center in that city:

Dear Friends,

You guys rock!

Thanks to all of you the City Council of Santa Monica approved the proposed arts and culture budget and then some... Because of your emails, letters, and testimony at City Hall, Santa Monica will be giving new awards to individual artists, new awards for arts education projects and expanding their support for nonprofit arts organizations. Very few cities in the US currently give out grants to individual artists. So this is a milestone that we can all hope will encourage other cities to follow suit.

The June vote was unanimous! We knew that the new arts education grant program would be an easy sell to the City Council, but we were not confident that the artist grant program would get passed. So I really want to thank you and express my sincere appreciation to you all for your advocacy. I know that the City Council heard you all, and it made the difference. Plus, in addition to funding these new grant programs, adding a new staff position (to help with the added work), the Council also voted to give Cultural Affairs $100,000 in one-time funds for the maintenance of the City’s art collection. In otherwords – we got MORE than what we asked for.


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July 22, 2008

Help Wanted: Mourner
Linda Frye Burnham / 02:33 PM

Forwarded from ELandF Gallery in Lexington, Ky.

Help Wanted: Mourner

GREENGRIEF The Kentucky Mourning Project provides compensation to mourners for grieving, praying, singing and for giving thoughtful consideration and sincere apologies to our earth for the environmental and cultural devastation wrought by us humans to it in the Commonwealth of Kentucky.

Mourner Wanted to grieve for loss by demolition of irreplaceable historical/cultural and architecturally unique block in downtown Lexington Kentucky (the Dame block), to apologize for our culture’s sad lust for profit and to offer prayers of healing and hope.

Mourner is asked to articulate these expectations while walking around  the block for a period of one hour (12:00pm- 1pm) during a weekday on a date yet to be decided in August/September 2008

Honorarium: $100.00
Location: Lexington, Kentucky

To apply: No more than 100 words on what mourning means to you and why you would like to mourn for the loss of this cherished block.

Deadline: August 1, 2008
Applications/information by email only
ELandFGallery@yahoo.com

Some sponsors: Lonely Mountain Community Center, Radical B.U.G.S (Build Urban Garden Spaces) The H.O.G.G.G.S., Eco Life Force, S.E.A.P (Southern Exploration of Artistic Processes)

 


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July 17, 2008

Art processions
Linda Frye Burnham / 11:36 AM

"Carried Away -- Processions in Art" is an exhibition for the Sonsbeek Festival at Arnhem Museum of Modern Art in the Netherlands. The exhibition features a selection of Dutch and international artists who have organized processions, or have been influenced by processions, political parades, carnival parades, marches or funeral processions. "Some art processions," says the Arnhem's press release, "are in veneration, others are homages, or express protest, criticism or questioning. For instance, the exhibition features a film of a carnival parade in which Joseph Beuys joins the people in solidarity to protest the high price paid for his own work by a museum. The exhibition also features life-sized pigs by Stephen Wilks, which have been carried around by people and refer to George Orwell's book Animal Farm."

There's more on e-artnow.org


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The Jesse Helms AIDS Bill?
Linda Frye Burnham / 10:58 AM

"Republican Senator Dole introduced an amendment to name an HIV/AIDS relief bill after the recently deceased Jesse Helms," says Rachel Weiner on the Huffingtonpost.com. "Helms, of course, was a strident foe of HIV/AIDS prevention, research and treatment." Talk about a tin ear. Helms was also a foe of public funding for artists. Especially gay artists. The bill passed without Helms' name on it.

"Elizabeth Dole Tries To Name AIDS Bill After Jesse Helms"


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July 16, 2008

What does a foundation program officer do, anyway?
Linda Frye Burnham / 03:02 PM

Erica Kohl, a CAN writer ("Connecting Californians") and a doctoral candidate in Social and Cultural Studies at UC Berkeley, has written "The Program Officer: Negotiating the Politics of Philanthropy," posted on the Web site of Berkeley's Institute for the Study of Social Change, where she is a Fellow. It's part of her larger study on the relationship between private philanthropy and farmworker organizing and community development across California’s Central Valley. Says the paper's intro: "This paper concentrates on the central role of the foundation program officer in negotiating the process of grant making. The work of the program officer is revealed as both containing and opening up spaces for addressing political and economic inequity. It is argued that the work of the foundation program officer often limits the approach of granted organizations through professional processes and program frameworks that make poor people responsible for their own betterment while excluding the economic relationships that created the situations the programs seek to ameliorate. Yet findings also point to the role of the program officer as one of significant risk taking and advocacy during non-movement times. Data was gathered through in-depth interviews with foundation program officers, consultants, and grantees, review of foundation program materials, and participant observation at foundation gatherings and presentations."

"The Program Officer: Negotiating the Politics of Philanthropy"


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Politaoke correction
Linda Frye Burnham / 10:53 AM

Diane Arce writes to correct our post (yesterday) about Politaoke at the Democratic National Convention: " I will only be in Denver on one day: I will be at the Republican National Convention at the UnConvention from August 30 - September 4. If you could fix this that would be great, I don't want people to be uninformed."


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July 15, 2008

Check out The Last Conquistador
Linda Frye Burnham / 04:46 PM

P.O.V. is premiering "The Last Conquistador" tonight. It's a really interesting documentary by John J. Valadez and Cristina Ibarra about arts activism and participatory democracy. I saw it at the Full Frame Doc Fest in Durham and got a lot out of it. Here's P.O.V.'s description:

"Renowned sculptor John Houser has a dream: to build the world’s tallest bronze equestrian statue for the city of El Paso, Texas. He envisions a stunning monument to the Spanish conquistador Juan de Oñate that will pay tribute to the contributions Hispanic people made to building the American West. But as the project nears completion troubles arise. Native Americans are outraged — they remember Oñate as the man who brought genocide to their land. As El Paso divides along lines of race and class, the artist must face the moral implications of his work. A co-production of Independent Television Service (ITVS), Latino Public Broadcasting, Native American Public Telecommunications and KERA Dallas/Fort Worth."

Check the Web site for listings. Also: The Web site has some interesting interactive features about public monuments.

The Last Conquistador


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Do your favorite political speech -- Karaoke-style
Linda Frye Burnham / 04:34 PM

Politaoke is an audience-participation performance piece by Diana Arce, allows audience members to deliver, Karaoke-style, their favorite political speeches. Politician’s speeches and interviews are provided, word for word, edited into sections (songs) of 1–8 minutes. A series of debates, interviews and television appearances are also provided as duets. The current song menu includes George W. Bush, Angela Merkel, Barack Obama, Hillary Clinton and John McCain. Politaoke will tour the U.S. over throughout August and September, including performances August 22-27 in Denver, Colo., during the Democratic Convention. The U.S. premiere is July 30-31 at Hallwalls Contemporary Arts Center in Buffalo, N.Y., as part of the Buffalo Infringement Festival. Diana Arce is an artist, filmmaker and activist who organized the first German/English version of Politaoke in a Bar in Weimar on January 30, then decided to expand and take the project on the road because of the 2008 elections. Naturally it's already all over Facebook and MySpace. Check the Web site for links.

Politaoke


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July 10, 2008

Weak economy forces festivals to rethink, cancel
Linda Frye Burnham / 01:52 PM

"From a hot air balloon festival in Jackson, Mich., to parades in Clearwater, Fla. to a seafood festival in Annapolis, Md., organizers grappling with the effects of a weakening economy are calling it quits," says Emily Fredrix in an AP story (7/9/08). "Or at least putting off their events until next year. Corporate sponsors are pulling out as they worry about their own financial well-being, let alone donating money to a festival. Organizers are reluctant to raise ticket prices since families shelling out $4-a-gallon for gas may not want to pay the extra money. And costs for hiring bands, vendors and renting grounds are rising." (Thanks, Cultural Policy Listserv.)

"Weak economy forces festivals to rethink, cancel"


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Drop everything and start packing
Linda Frye Burnham / 01:30 PM

The Public Preparation Social Club has announced "Symptoms of nationalism and critique of nationalism in the practice of contemporary art," a symposium at the Pärnu Artists' House, Nikolai 27, Pärnu, Estonia. Unfortunately, it's tomorrow.

"Symptoms of nationalism and critique of nationalism in the practice of contemporary art"


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July 07, 2008

The future will be on the table this fall
Linda Frye Burnham / 10:28 AM

Forwarded from:

Gwylene Gallimard & Jean-Marie Mauclet
Charleston SC 29403

June 24, 2008

THE FUTURE IS ON THE TABLE
Community-Based Art Collaboration Opens September 12 at the Gibbes
Museum of Art, September 13 at the City Gallery at Waterfront Park, Charleston.

Exhibition on View at the City Gallery at Waterfront Park and Gibbes
Museum of Art

(Charleston, SC) ˆ Initiated by Charleston artists Gwylene Gallimard
and Jean-Marie Mauclet, The Future is on the Table is the culmination
of a five-year community art collaboration that began in 2003 when
Gallimard and Mauclet sent 56 handmade three-legged stools as gifts
to artists around the world. The seats of the stools were cut from a
single sheet of marine plywood painted with a map of the world, thus
each stool represented a piece of the global community. The stools
were sent with a proposal to use the arts to generate conversation
about globalization and social justice issues with a focus on water
and shelter as basic human rights. Artists, artisans, and arts
collaboratives who agreed to participate in The Future is on the
Table were challenged to create an object, an installation, a
performance, or other art project in response to these issues. The
diverse array of projects, including artist residencies,
workshops, stone carving, gift exchanges, and others, took place
across the globe in England, France, India, South Africa, and the
United States. They were lead by the Arpan Cooperative / MarketPlace
India, Phinias Chirubvu, Omari Fox, Arianne King Comer, Marcia Kure,
Rajni Shah and Delphine Ziegler.

The Future is on the Table is an art project built on the belief in
the importance of local communities. Its goal is to create an open
dialogue around the metaphorical table referenced by the title of the
project. This is a table around which the local community, as part
of the global community, can gather to share ideas, discuss problems,
and contemplate the future of our world. The purpose of The Future
is on the Table is to invite people to this table, to use art as a
means to create community dialogue, encourage activism and carry the
energy of the project to the future.

At the City Gallery at Waterfront Park from September 13 to October
26, artists will present art installations, performances, and gift
exchanges. At the Gibbes Museum of Art from September 12 to November
2, an installation will represent the evolution of the five-year
project and each participating artist or arts collaborative. Artists
will be in residence at the exhibition sites prior to the openings
and will give presentations at Columbia College and the Halsey
Institute of Contemporary Art at the College of Charleston. The
exhibition will move to the North Charleston City Gallery on November
3rd through November 25, 2008.

Special happenings and discussions will take place on September 13
(4PM, followed by opening till 7PM) and October 26 (11 AM-5PM) at the
City Gallery at Waterfront Park, September 14 (1PM-5PM at the Gibbes
Museum of Art, and October 25 (10:30AM-5PM) at Redux Contemporary Art
Center. These special events will include multi-disciplinary
performances and dialogues on community-based arts, collaborations in
the field of visual arts, the tradition of gift exchange, and the
cultural impact of the arts in a global culture.

http://thefutureisonthetable.ning.com/ will be made public on August 1st.


 
 


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